writing advice for teens

06/06/15 Book News , Life , Reading , Uncategorized , Writing # , , , , , , , , , ,

Newsletter – Incoming!

After much deliberation I have decided to join the ranks of newsletter-bearing authors. One of the hardest things about authoring in the modern age is knowing how much to share, how often to share it, and whether people are REALLY interested in hearing it. Here, I’m my own worst enemy, because my assumption is always that people are busy and overloaded with information, and it takes something pretty special to compel them to read something else on their computer.

Do I have stuff to share that’s something special? I’ll let you decide. But I do have stuff to share — about reading, writing, and life.

And sometimes I even have NEWS.

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So after taking an informal Facebook poll and confirming that a good number of my readers would like a semi-personal, once-monthly, quick and easy to read account of what’s going on¬†— with my writing and everything else¬†— I decided to give it a whirl. My plan is to include a couple of real life things (recipes, things I’m loving that month, etc.) with a personal snippet and a book recommendation or writing tip. I’m planning to keep it one page, and only put it out once a month.

But the big thing is that I’m going to make as many announcements as possible to newsletter subscribers first. And that includes my next book announcement.

If you’d like to stay in the loop, you can sign up for the newsletter¬†here in under ten seconds. And if you decide to opt out at any time, all you’ll have to do is hit the “unsubscribe” link at the bottom of each newsletter.

<3

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05/01/15 Uncategorized # , , ,

Reader Questions

This post goes straight to CrazyBookFan from Goodreads who asked the following questions during the Young Writers Series;

What is the key to success to become a writer?

All you have to do to be a writer is to write. But if we’re talking about publication, I don’t think there is any one key. First and foremost, you must be the best writer you can be. That means writing with courage, digging deep to get to the heart of things even when it’s scary or it hurts. It means being willing to take constructive criticism in an effort to grow in your command of craft. It means¬†being willing to write and write and write. Because that really is the only way to get better, and while writing an excellent book is no guarantee of publication, it certainly improves your chances.

How do writers publish their books and how does a book become successful?

For more on this topic, please see How Do I Sell My Book. As for success, that is a complicated combination of luck, timing, craft, and exposure/marketing. But again, you can always improve your odds by writing a great book — and then writing another one.

I think I see a theme developing…

<3

 

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04/29/15 Uncategorized # , , ,

Young Writers Series Week Eight; Rowing Your Own Boat (What To Do If the People Around You Don’t Take You Seriously)

I can hardly believe that we’re at the end of our eight week series. So much has happened! Two months ago, Lies I Told was on deck, and we were still battling sub-zero temperatures here in New York. Now Lies I Told is out to glowing reviews and Spring seems to have sprung at last.

And hopefully, you guys have eight more weeks ofinsight into writing and publishing.

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Last week we talked about how to juggle your social life, school, and other activities with writing. You can find links to previous weeks in that post.

The subject of this week’s post — Rowing Your Own Boat — could easily be written for writers of any age. That’s because writers of all ages sometimes have trouble getting support from the people closest to them — especially before they’re published. I think it’s because A) it’s such a solitary pursuit (how can they be sure we’re really writing as opposed to, say, painting our toenails? Or writing love letters to Channing Tatum?), and B) it’s has the kind of stars-in-your-eyes connotation of wanting to be a movie star or a ballerina. Is it possible? Yes. But the truth is, most of us won’t be a movie star or a ballerina.

So when we tell people we’re writers or say we’re “working on my next book”, it can seem a little… quaint, especially to those not initiated in the passion-filled, emotionally draining practice¬†of bringing to life a whole new world, complete with people and everything.

If you’re a young person, this is probably exacerbated by the fact that you’re, well… YOUNG. I mean, you probably did want to be a ballerina or a princess or a firefighter or an astronaut not that long ago, right? And none of THOSE things worked out (this isn’t me talking – it’s your naysayer, whomever he or she may be). Why should this be any different?

I have four kids ages 15 to 22. They’ve had lots of interests and passions over the years, and many of them have gone by the wayside. As a parent, it’s sometimes hard to know what’s going to stick, and I’ve had to remind myself more than once that whether it “sticks” or not, it’s still my job to BELIEVE. As a freelance editor, I’ve also been in the position of reading work¬†that runs the gamut from the barely readable to the extremely promising. In all of those cases, it’s been my job to be encouraging of someone’s dream while being tactfully truthful about how much work they may still have to do, even while acknowledging that some of those writers aren’t going to make it.

And I’ve had my share of naysayers, too. When I left my job as a Director of Marketing for a technology consulting firm to move to a tiny, rural town, hoping to find a better, simpler, more fulfilling life, one of my bosses at the time asked, “What will you do?” I said, “I don’t know. Maybe I’ll write a book.” He laughed and said, “About what?” The disbelief was loud and clear in his voice (I should have said, “Oh, I don’t know, maybe about that time I helped grow¬†a company from $200k to $15 million in four years… ūüėČ ). ¬†For years while I worked to get published after our move, I would sheepishly tell people who asked that I was a writer, and that I was working on my first, second, third, fourth, or fifth book. But before I was published, people’s eyes kind of glazed over with suspicion.”Hmm-mmm, SURE you are,” they seemed to be thinking. My husband (who is my ex-husband now) listened with barely passing interest when I spoke about my work and never read a single thing I wrote, even when I asked if he’d be willing¬†to do so.

But doubters have always made¬†me work harder. My competitive spirit is motivated by people who think I can’t do something, and to tell the truth, my “I’ll show them” mentality was at least partially responsible for my stubborn determination to keep going. At the same time, I understand how demoralizing it can be to row your boat alone, especially when you’re surrounded by people who only feed your self-doubt.

I wish I could give you a magic potion to make them believe, but we can’t make people believe in us or make them approve of how we spend our time or make them excited about our dreams. Basically, we have NO CONTROL over them.

What you DO have control over is YOU. You can choose to let these people slow you down, doubt yourself, even derail your dream completely. Or you can choose to WORK. Because that’s what it’s going to take. And if somewhere along the way you find that it’s not worth it or that you aren’t having fun anymore, by all means feel free to reconsider. I used to belong to an online writer’s group, and one time someone posted the question, “How do I know when it’s time to give up?” In response someone else wrote, “Go ahead and quit – if you can.” That really stuck with me. We’re not ALL meant to be writers, even if we love reading, even if we enjoy writing the occasional story or poem. I couldn’t have quit writing if I tried. It was literally saving my life in the depths of depression, and it was the thing I most enjoyed doing in my “down” time. I figured if I was going to write no matter what, I might as well keep trying to get my work out there.¬†If writing is a compulsion for you, if it’s something you MUST do, if it’s something you would do for free your whole life through because you love it THAT MUCH, then what else are you going to¬†do with your time that is as meaningful? And if it’s a compulsion, if you MUST do it, does it really matter what anyone else thinks?

All of which is not to say that it’s not disappointing when you don’t get support from friends and family. You’re allowed to be disappointed. It’s how you deal with that disappointment that will define you as a writer. Will you give up? Or will you work to be better? Will you keep trying? Will you keep your head down and keep doing what you must?

While I can’t solve this problem for you, I can give you some tips for dealing with it;

1. Write down the reason you love writing and place it somewhere you’ll see it whenever you have doubts.¬†Whether your note to self reads “I write because I must” or “I write to tell the stories in my head” or “I write because I want to see my name on a book store shelf”, your note will likely remind you how SEPARATE your reasons for writing are from the people around you. When you write because you must, does it change anything that your best friend doesn’t believe you can do it (although I’d counter this might not be the best best friend you can find)? When you write because you have to tell the stories in your head, does it matter that your parents think writing won’t lead to a stable career? When you write because you want to see your name on a book store shelf, does it matter that your sister thinks writing is a waste of time? Your note will remind you that it’s not about them anyway.

2. Read as much as you can. Watch movies. Play great video games. Do anything that inspires you with great story.

3. Seek out support where you can find it. There are lots of wonderful¬†online writing groups, and simply connecting with other writers has a way of keeping up your morale and reminding you that you belong to a timeless, far-flung tribe of storytellers. If you’ve found the right group of people, they will lift you up and give you feedback and cheer you on. If they don’t do these things, find another group. And remember not to give out sensitive personal information online.

4. Start a review blog. Reviewing books online is a great way to stay active in the conversation about books, reading, and writing, and it will also connect you to a larger group of people who are interested in the very same things. If you’re following my other advice, you’re reading regularly anyway. The time you spend writing out a quick review for the books you read may be worth the camaraderie you find in the book blog community.

5. Keep your head down and focus on craft. From the cliques that naturally form in any group (online or otherwise) to buzz about current trends in the marketplace, it’s easy to get distracted by internet noise. But just remember; none of this counts as actual writing, and none of it will make you BETTER. And that’s our goal, right? Because that’s the best shot you have at being published. So when you’re tempted to get involved in drama in your writers group or tempted to be downtrodden by someone’s dire predictions about the publishing marketplace or tempted to change what you’re writing to follow an up and coming trend, remember to keep your eye on the ball. Craft is the ball. Focus on getting BETTER, and everything else will follow.

That concludes our eight week Young Writer’s Series. I’ve had so much fun sharing this information with you, and I hope it’s been helpful. I’ll post a list of all eight topics with links so you can go back and read if you’re just joining us.

Writing has been the one constant in my life. It has seen me through depression and divorce and new beginnings and self doubt. Whatever happens in the “real” world, it is a comfort to know there are infinite worlds into which I can escape. When people talk about retirement, I can only blink. Retirement? From WRITING? What else would I do? What else would I WANT to do? No, I’ll be writing until the day I die.¬†If you feel this way too, you’re probably a writer, and that is something you can carry with you wherever you go, whatever the circumstances of your life.

And the best part of all is that your journey is just beginning.

Make the most of it.

<3

 

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04/15/15 Uncategorized , Young Writers Series # , , , , , , , , , , , ,

Young Writers Series Week Six; Agents and Editors (What They Do and Why We Need Them)

Welcome back to the Young Writers series! I seem to be running at least a day late every week, but this week I have a great excuse; LIES I TOLD released last Tuesday!!! I’ve been super busy with interviews and blog tours and promotion. Things are starting to calm down a bit, which is a good thing. I love talking to readers, but my favorite part is still the writing. I’m happy to be back in my office working this week.

Last week on the Young Writers Series we talked about how to sell your book. I took you through the process step by step, from getting an agent to revising to “subbing” to editors. This week we’re getting into the nitty-gritty of agents and editors, namely what they do and why we need them.

Let’s talk about agents first.

If you read last week’s post, How Do I Sell My Book, you know that you really must have an agent if you want to sell to any of the big traditional publishing houses. They just don’t accept unagented manuscripts anymore. And even if your favorite aunt is the CEO at HarperCollins, you’ll STILL want an agent. Here’s why.

There are good agents and there are GREAT agents. A great¬†agent (which I so happen to have, luck me!) will work through edits with you before submission. Not every agent wants to do this, and that’s okay. But very, very few never-before-published authors are going to hit it out of the park on their first try. Even after you’ve edited your book multiple times and hired an outside editor, odds are good that your book will still need some work if you want to put your best foot forward. I saw this firsthand when I tried to sell what was my second finished book. I had a different agent back then, and we did very, very little work on the book before sending it out to editors. Nine months later, it hadn’t sold and I made the decision to find an agent who was more hands-on with editorial feedback. Fast forward to Prophecy of the Sisters and the TEN MONTHS I spent in revisions with my current agent and you get a three-day pre-empt from Little Brown and a deal that was much bigger than anything I had expected. That just wouldn’t have happened if I’d gone out with my first version of the manuscript. It can be maddening to work through revisions on the front end, but it’s almost always worth it.

Once you begin to sub, a great agent will have street cred that will get your manuscript read faster, and they will also be able to negotiate terms that are favorable to you when it comes to royalty rates, bonuses, geographic rights (some books sell World rights, but if you sell World English instead, your agent may be able to sell your book’s subsidiary rights to a foreign market, and that money goes straight to you instead of toward your publisher’s advance). They will have a good handle on the personalities of various editors and what it might be like to work with them, and they will know which publishers are more likely to follow through on marketing promises (something that matters in a big way). They will continue to be a liaison between you and your editor if anything tricky arises, i.e. deadline related issues, marketing problems and questions, payment concerns, etc.

And none of this ends with your agent. Assuming your agent works for an established agency, you will have lots of legal counsel backing you up. In addition, publishers value their relationships with great agencies, and they will work hard to insure that both you AND your agency are happy with the way you’re treated.

Once your book is sold and settled in its new home, a great agent will guide your career and advise you about long-term strategy. The publishing industry is rapidly changing, and timing plays an important role in how well a book is received. I’ve often had two or more ideas in the queue at a time, and it’s been invaluable for me to pitch them all to my agent and get his feedback on which one has the best chance of selling in the current market. ¬†Great agents also¬†have film and TV connections that can be beneficial¬†to you. In addition to writing books that have sold into traditional publishing, I’ve also written for ABC and have worked-for-hire on books with two other publishers. I’ve collaborated with a well-known adult writer on a YA project, something that was made possible because my agent heard the author was looking for a partner, and I’ve written for an app company. Even if you’re not interested in any of these avenues right now, the publishing process can be fickle and SLOW. You won’t always get paid on time, and sometimes you won’t sell a book, even after you’ve been published. Having an agent with widespread connections can gain you off-the-beaten track opportunities that will help pay your bills during the lean times.

In short, the 15% I pay my agent is MORE THAN WORTH IT. I have never begrudged him a cent, because he works incredibly hard for me. He brings game changing expertise and experience to the table, and I have made back that 15% a hundred time over because of his role in my career.

Once your book is sold, the majority of your communication about the project will be directly with your editor. He or she will send you revisions, introduce you to marketing and publicity at the publishing house, and be your main contact for everything related to the book they’ve acquired.

A great editor is one who both understands your vision for the project (hopefully this is a given if they’ve bought your book) and one who will push you to make it the best it can be within that framework. An editor isn’t going to give you all the answers. They’re going to tell you the problems and trust YOU to come up with the answers. This doesn’t mean you can’t run things by them, but you shouldn’t expect them to tell you how to do your job.

Their job is finding potential problems. Yours is to fix them.

A great editor makes all the difference in the finished product of your book, and a great¬†finished product is the best insurance policy you can get in terms of your long term career.¬†A great editor will bring out your manuscript’s potential by guiding you through more¬†revisions with a flexible hand. This matter because once your book has sold, you can expect at least one more round of fairly significant revisions, and maybe more.

Beyond the actual editing, a great editor is someone who LOVES YOUR WORK. He or she believes in you as a writer and wants to see you succeed. They can be your fiercest advocate at the publishing house, fighting for marketing dollars, turning down covers that are less than stellar, and campaigning to buy more of your work. If they really want to keep working with you, they will often engage in a dialog about what they might like to see from you next, giving you a better chance of selling another book to that publishing house.

So as you can see, agents and editors provide a unique set of skills that will help you with both your writing and your long-term career. In my mind, the value they add isn’t even in question, at least not with traditional publishing.

But it’s a two way street. Here are some things you can do to be a good client (to your agent) and employee (to your editor);

1. Keep your communication concise and professional unless and until you know each other well enough to discuss personal matters.

2. Let feedback on your manuscript settle before responding. It’s easy to sound snippy in an email when you’re feeling defensive about your work. And snippy isn’t professional.

3. Be willing to hear your agent and editor out in matters where you might disagree. Remember that they have their area of expertise, and you have yours.

4. Be on time.¬†Try not to take license with the fact that you’re in a creative field. Few employees¬†can get away¬†with being consistently late and plan to keep their job for any length of time. Treat your professional commitments like the promises they are (barring some kind of catastrophe, which does happen now and again) and you will gain the good will of your agent and editor, as well as a reputation for being easy to work with.

5. Never, ever badmouth your agent or editor. If you’re not happy and a friend asks for feedback, you can be honest privately about your experience, but it’s just not professional to badmouth a colleague in ANY business.

6. Know when it’s time to be a team player. Like all businesses, publishing requires that everyone work together. There will be times that you won’t like how things are going. You may be angry about the amount of marketing given to your book (especially if you were promised more), about your cover design, about the amount of¬†conferences (or lack thereof) in which you’re asked to participate. There’s a time to push back on issues like these and others like them and a time to be a team player. Once your editor makes it clear THIS is your cover, for example, there is often NOTHING you can do to change it. You can ask, but if they say something like, “We feel strongly this is the right cover, so we’re going to go out with it and see how it goes,” that means the decision has been made, and the best thing you can do for your career AND your book is plug that book (and its cover) for all you’re worth, be gracious about it, and hope for the best. Being openly angry¬†won’t help you once the decision is made (or before, for that matter, when a calm discussion is in order).

Join me next week for Keeping the Balls in the Air (How to Juggle School, Social Life, and Writing).

And I hope you’ll all¬†pick up a copy of LIES I TOLD! I’ve spent the last couple of years really focusing on craft, and I’ve gotten¬†so many emails and comments and reviews saying this is my best book yet. I’m excited to share it with you guys!

<3

 

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04/06/15 Uncategorized , Writing , Young Writers Series # , , , , , , , , , , , , ,

Young Writers Series Week Five; How Do I Sell My Book?

Welcome to this week’s installment of the Young Writer’s series. I missed last week completely! I was so slammed with launch stuff for LIES I TOLD (out tomorrow, you guys! Please pick up a copy!), plus a deadline on another book, that I kept meaning to catch up and just never did. So we’ll call this Week Five and get back on track.

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Last week we talked about outside advice; how to make it work for you and how to know if you should take it when offered.

This week we’re talking about the nitty-gritty of selling your book. For most writers, publication is the goal through all the late writing nights, crippling self-doubt, and endless revisions that make up the process of writing. If it’s not, that’s totally okay! There is a lot to be said for doing something just for the joy of it.

But if you want to see your book published, this post is for you.

The sales¬†process in publishing is a lot longer and more involved than most people realize. Some of it is dependent on the type of publishing you choose (see Week Two¬†in this series), but for our purposes here, we’re going to focus on selling your book to large traditional publishers like HarperCollins, RandomHouse, Scholastic, Little Brown, , Simon and Schuster, and Penguin.

First of all, you need a finished manuscript. Yes, finished. Unless you’re writing non-fiction or have published books before in your genre, a partial probably isn’t going to cut it. So before you do anything else, finish your book, revise it, give it to a beta reader or editor, and revise it some more. I know it’s tempting to cut corners on the editing side. You finished a whole book! You want to see it on the shelves of a bookstore! But you won’t usually have a chance to resubmit to an agent or editor once they reject a certain project, so you don’t want to go out with less than your best work. Polish it until you literally can’t go any further with it on your own.

Once you have a complete manuscript, you need to look for an agent. Some people don’t think you need an agent, and while there might be room for discussion in some areas, you DEFINITELY need an agent if you plan to sell to traditional publishing. None of the big publishers accept unaccented manuscripts, and neither do most of the small ones. And that’s just for starters. There are TONS of other reasons, which I’ll save for next week’s topic, Agents and Editors (What They Do and Why We Need Them). For now, let’s operate on the assumption that you trust me on this.

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The best way to look for an agent is to find out who represents your favorite books and/or subscribe to the Deal Report at Publisher’s Marketplace (it was $20/month when I sold Prophecy. It might be a bit more now). Through the deal report you can search recent deals in your genre to make sure the agent your interested in has a solid track record of selling books like yours. This is important, because anyone can hang out a shingle and call themselves an agent. You want someone with a proven track record of selling consistently. Have you ever heard the saying, “A bad agent is worse than no agent?” No? Well, you have now, and it’s true. Hold out for someone great. If you query thirty agents with fantastic track records and none of them feel confident that they can sell your book, it might mean the book isn’t ready or the timing isn’t right. Go to work on another project, even if you choose to query less experienced agents. It will keep you sane and will give you something else to sell in the event your first book doesn’t. Plus, I think you’ll be surprised by how much you’ve learned and grown since your last book.

Before querying you’ll need the following (in addition to your finished manuscript);

1. A query letter – this is a one page letter (you can find examples online) explaining why you’re querying this particular agent (they want to know you’ve done your homework and querying them because you genuinely think they’d be a good fit for the project –¬†not just because you’re querying every agent known to man or woman), a brief paragraph or two about your book, and a closing that provides the word count and an offer to send a partial or full. Most agents will request a partial before they request the full manuscript. This could be a ten page partial or a fifty page partial or anything in between. Sometimes they’ll just request a synopsis, which brings me to my next point. But first, here’s my query letter for Prophecy of the Sisters, aka Indigo Sky, and the book that started it all and got me the agent I still have today;

 

June 20, 2007

AGENT NAME
AGENT ADDRESS
CITY, STATE, ZIP CODE

ATTENTION: AGENT NAME

Dear NAME OF AGENT,

I came across your name while researching potential agents for my YA novel. Your interest in fantasy and work with a paranormal edge makes me believe you might be a good fit for my YA Gothic fantasy, INDIGO SKY

It‚Äôs 1890 and sixteen-year-old Lia Milthorpe is at war with the person she loves most ‚Äď her twin sister.

Alice and Lia are orphans reeling from the mysterious death of their father in the forbidden chamber known as the Dark Room. Immediately after his death, Lia begins having dreams in which she travels the skies at will while her body lies sleeping. But the dreams are not nearly as strange as the symbol blooming on her wrist ‚Äď that of a snake entwined circle known as the Jorgumand.

Lia soon discovers that Sonia, a young psychic, bears nearly the same Mark. When Sonia shares with Lia the biblical tale of the Watchers, they begin a quest to solve a series of riddles found in a primordial book called The Book of Chaos. If Lia cannot solve the puzzle before her sister, she will lose more than her sanity, she will lose her very life – and bring about the apocalypse foretold in mythological legend the world over. Her journey takes her to the shadowy Astral Plane, to the nether reaches of the spirit world, and to the face of evil itself.

INDIGO SKY is complete at 78,000 words. I welcome the opportunity to send it at your request.

Warmest regards,

Michelle Zink

EMAIL ADDRESS

CONTACT PHONE NUMBER

 

Simple, right?

2. A synopsis – I advise having that synopsis prepared, a basic one page synopsis that gives a high level explanation of the events in your book, and a four to five page synopsis that is much more detailed. Don’t be coy here. The agent wants to know what’s really going on in the book and more or less how it ends. I’m giving you guys the goods by also including my one-page Synopsis for Prophecy of the Sisters below;

 

Indigo Sky – Synopsis

Sixteen-year-old Lia Milthorpe‚Äôs life is in danger from the person she loves most ‚Äď her twin sister.

It’s 1890 and Lia and Alice Milthorpe are orphaned twins reeling from the mysterious death of their father and working to cheer their crippled younger brother, Henry. After their father’s sparsely attended funeral, they return two days a week to Wycliffe, a private school for wealthy girls, and attempt to settle into some kind of normalcy.

But Lia‚Äôs reality begins to unravel with sensory-rich dreams that occur more and more frequently, bringing with them a winged demon that chases her through the velvet sky of her nightmares. The dreams are followed by the discovery of an unusual mark on the inside of her wrist ‚Äď that of a serpent devouring its own tail. The strange happenings make Lia long to confide in her sister, but Alice becomes more and more withdrawn, and Lia resolves to find the answers on her own.

But it is only when James discovers an ancient tome entitled ‚ÄúLibrum Maleficii et Disordinae‚ÄĚ, or ‚ÄúThe Book of Chaos‚ÄĚ, that Lia begins to understand the timeless battle of which she is a part ‚Äď the battle between the demonic Lost Souls, fallen angels of the biblical Watchers, and those who try to shield the physical world from their reappearance.

The Prophecy outlined in the Book dictates that the battle continues through a long line of sisters. In each generation one sister is the Guardian, and one the Gate. The Guardian is tasked with shielding the physical world from the reappearance of the Souls. The Gate is the pathway back that will begin the Seven Plagues outlined in the biblical Book of Revelations.

Lia becomes certain she is the Guardian and her sister the Gate. When she discovers that a beautiful young psychic and an outcast from Wycliffe both bear the Mark, the three girls set out to unravel the Prophecy‚Äôs riddle and discover how they might guard the world from The Gate. The task is great enough ‚Äď and is made greater still when Lia discovers the truth hidden in the Prophecy‚Äôs riddle.

A truth that will call into question everything she believed she knew about her sister ‚Äď and herself.

And now there is so much more at stake, for if Lia cannot find before her sister the Keys foretold in the Prophecy, she may lose more than her sanity. She may lose her very life ‚Äď sacrificing the lives of those she loves most in the process.¬† Her journey takes her to the shadowy Astral Plane of the Otherworlds, to the nether reaches of the Spirit World, and to the face of evil itself.

 

These are the query and synopsis’s that started my career. I hope they help you, young writers!

Now, once you have agent, that agent should take you through some revisions on your book. Even when we think our books are perfect, they’re rarely ready to sell the first time out the gate, even if you’ve revised with an editor or reader. A good agent has their finger on the marketplace and will know how to tweak your manuscript so it’s in the best position to sell. Once you’re through revisions with your agent, the book goes out “on sub” or on submission.¬†This means your agent is sending it to editors he or she knows that¬†are looking for your type of project. This is excruciatingly painful for the author. You’ve finally done it! You’re book is on sub! It could sell any minute!

Except it probably won’t. Most editors will take at least a month to get back to your agent, and some will take longer. You MIGHT get lucky and be in the very tiny percentage of authors whose books sells at auction (more than one house is bidding on the book at a time) or in a pre-empt (one publisher steps up and offers a lot to keep it from going to auction), but most of the time, the process is much slower and less exciting than that.

Work on something else.

Again, it will keep you sane, and it will give you something else to sell if this book doesn’t. Because yes, that’s right; just because you’re on sub doesn’t mean your book will sell. My second book VERY NEARLY sold, but it just didn’t quite make it. While it was on sub, I wrote the book that would become PROPHECY OF THE SISTERS, and the rest is history.

If your agent receives several rejections, he or she may feel it’s time to throw in the towel and start fresh with a new project. This is super devastating, no way around it. Assuming your agent IS a good one (see above), he or she will probably have submitted to somewhere around ten houses, so if someone hasn’t snapped it up by then, the odds are slim that you’re going to get a sell somewhere else, unless you’re willing to go to much smaller presses (which also have much smaller advances and a lot less to offer in terms of marketing – totally okay if you’re okay with it!). This is when it will be handy to have another project waiting in the wings. Most agents will be happy to look at your next project if your first one didn’t sell, assuming you want to stick it out with them. If you don’t, you start the process over with a different agent.

And that’s the process in a nutshell.

That’s quite a nutshell, eh?

ūüėČ

Next Week we’ll be back on track with Week Six;¬†Agents and Editors (What They Do and Why We Need Them).

And please remember that LIES I TOLD releases TOMORROW! Ahhhh! It would mean so much to me if you would consider picking up the book and helping me spread the word online. I’m going to put up a giant giveaway tomorrow with tons of awesome stuff (gift cards! a whole signed MZ library! Victoria’s Secret bath products!), so please come back for a visit.

<3

 

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Michelle Zink is the award-winning author of over seven novels. She lives in New York with too many teenagers and too many cats.
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Acclaim

"This arresting story takes readers to other planes of existence…"
- Booklist (starred review)


‚ÄúAn intense and captivating story‚Ķ‚ÄĚ
- VOYA (starred review)


‚ÄúA fresh and engaging cast of characters, a page-turning plot and lyrical prose add up to an accomplished feat of storytelling‚Ķ‚ÄĚ
- The Guardian


“A captivating tragedy…"
- Publishers Weekly


‚ÄúZink‚Äôs methodical unfolding of events will draw readers in‚Ķ‚ÄĚ
- Kirkus


‚ÄúTingly suspense is craftily managed‚Ķ‚ÄĚ
- The Bulletin

Awards
 

 



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